![]() ![]() The film, framed like “Rashomon,” is told in three chapters repeated from different perspectives. “The Last Duel” is more like a medieval tale deconstructed, piece by piece, until its heavily armored male characters and the genre’s mythologized nobility are unmasked. The movie, written by Matt Damon, Ben Affleck and Nicole Holofcener, is not the tale of manly valor that it first appears. masculine historical epics, you think you know exactly what’s in store.īut “The Last Duel” may be one of the only films where the director, himself, is kind of a MacGuffin. The skies are gray, the terrain muddy and, considering this film is by the director of “Robin Hood,” “Gladiator” and other brawny. The film, directed by Ridley Scott, begins with all the expected medieval trappings: gory battlefields, imposing stone castles, the clop of horses. On its mud-and-blood surface, “The Last Duel” seems like a familiar slog. ![]()
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